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Kuniyoshi - The Twenty-four Chinese Paragons of Filial Piety

Kuniyoshi - The Twenty-four Chinese Paragons of Filial Piety

Kuniyoshi Utagawa

Ō Kyō 黄香 (Huang Xiang), from the series "The Twenty-four Chinese Paragons of Filial Piety​​". This is print number 13 in the series.

Warming the blankets in the winter months
and fanning the pillows in summer to make them cool;
as a youth, he knows the duties of a child.
Since the ancient past, there has been only one Ō Kyō!


Ō Kyō was from a place called Anryō. He lost his mother when he was nine years old, after which he did all that he could to serve his father. Thus, in the extreme heat of summer, he would fan his father’s pillow and seat cushion to keep them cool, and in the bitter cold of winter, saddened by the chill of the blankets, he would warm them with his body before giving them to his father. Because Ō Kyō was so filial, the district governor—a person known as Ryū Kan 劉讙—set up a placard in praise of his filial piety. People say that from that time forward, everyone knew that Ō Kyō was an outstandingly filial child.

The book entitled The Twenty-four Paragons of Filial Piety was written by the Chinese scholar Guo Jujing during the Yuan Dynasty. His pen name was Yizi, and he is known in Japan as Kaku Kyokei. The book recounts the self-sacrificing behavior of twenty-four sons and daughters who go to extreme lengths to honor their parents, stepparents, grandparents, and in-laws. Many of the images in this series appear Western in style, rather than Japanese, and were probably copied from Italian prints.

 

Date: 1848 

Size: 10 1/4 x 7 1/4 in. (26 x 18.4 cm) 

Condition: Good color and impression, not backed, fold down center glue residue on back as shown.

Genre: Ukiyo-e

Medium: Original Woodblock Print

https://woodblockprints.org/index.php/Detail/objects/289 

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Who Was Utagawa Kuniyoshi

Utagawa Kuniyoshi (1797–1861) was one of the most inventive and dynamic designers of ukiyo-e prints in late Edo-period Japan. Born in Edo (modern Tokyo), the son of a silk dyer, he developed an early sensitivity to color and pattern that would later define his work. At age 14, he entered the studio of Utagawa Toyokuni, though he struck out independently in 1814 and initially struggled to establish himself.

Kuniyoshi’s breakthrough came in 1827 with his celebrated series The 108 Heroes of the Suikoden, inspired by a Chinese novel about outlaw heroes. These bold, energetic warrior prints—filled with dramatic compositions, tattoos, and movement - secured his reputation as a master of musha-e (warrior imagery). Yet his range extended far beyond battle scenes: he produced refined landscapes influenced by Western perspective, imaginative triptychs such as the famous giant skeleton of Princess Takiyasha, and numerous depictions of historical and literary subjects.

Known for his wit and ingenuity, Kuniyoshi often circumvented censorship through visual wordplay and satire. He also collaborated with major artists like Utagawa Hiroshige and Utagawa Kunisada on popular series. A devoted cat lover, he frequently included cats in his prints and daily life. Despite declining health late in life, Kuniyoshi remained highly influential, training over 70 students, including Tsukioka Yoshitoshi.

  • Who Was Kuniyoshi?

    Kuniyoshi was a phenomenal artist. An expert at warrior prints. Known for his popularization of tattoos.

    View on YouTube 
  • Unboxing Kuniyoshi's Whale

    Join me as I unbox one of Kuniyoshi's most famous triptychs - Musashi vs the Whale. We learn the background of this print.

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  • Good Cats Bad Cats in Ukiyo-e

    We explore cats in Japanese prints. Of course Kuniyoshi was the number one cat lover and included them in many prints.

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  • It's a great looking piece which I am very happy and excited to add to my small collection! I really appreciate it.

    I enjoy your YouTube videos and I look forward to picking up more prints from you in the future.

    Rick

  • Dear Mr. Richard, opening the package and seeing the incredible bright colours and ornamental abundance of Yoshitoshi's diptych, it was just as printed today! It will be a pleasure to get more of your fine selected prints.

    L. F.

  • Josh and I just opened the package and want to thank you for this amazing Hiroshige print. The condition is better than we expected. Lovely to look at, will bring the family great joy. Happy New Year and thank you again.

    J.

Guaranteed Authentic

All our original woodblock prints are guaranteed authentic as described and shown. Unlike some print resellers, we don't make any Photoshop enhancements or add filters to our print images. Please check the print images front and back carefully before purchase, if you'd like additional pictures feel free to contact us. If, after purchase, you're not satisfied for any reason, return your print for a full refund within 30 days.