Yoshiiku - Beautiful Robber-Rapist - Tokyo Nichinichi Shinbun
Yoshiiku - Beautiful Robber-Rapist - Tokyo Nichinichi Shinbun
Artist: Utagawa Yoshiiku
Date: 1875
Medium: Woodblock Print / Oban (10" x 15")
Publisher: Tokyo Daily News
Genre: Ukiyo-e, Shinbun
This original 1875 true crime, sensational news story print by Yoshiiku tells the story of the "Beautiful robber-rapist". There was a young man named Kinnosuke who was gentle, obedient and handsome by day but at night, with the madness of a wild horse in his heart he robbed homes. One night he snuck into a place where a number of traveling entertainers were staying. He was about to rape one but she got away and the women, started to fight back, He ran away but was later arrested and jailed. Other inmates, following jailhouse customs, took a board and spanked his butt, but the jailers, stopped them.
Some 115 prints are now associated with the Tokyo nichinichi shinbun series, the majority of them by Ikkeisai Yoshiiku. These were color inserts in certain editions of the newspaper, created in order to boost sales. The prints usually told of unusual, salacious and violent incidents.
Condition: Very good color, insect damage on the right border. Stain in middle. Backed with Edo-era paper.
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Who Was Utagawa Yoshiiku?
Utagawa Yoshiiku (1833–1904), also known as Ochiai Yoshiiku, was a Japanese ukiyo-e artist of the Utagawa school. Born in Edo as the son of a teahouse proprietor, he became a student of the renowned master Utagawa Kuniyoshi in the late 1840s. His earliest documented work dates to 1852, when he assisted his teacher by creating background elements for actor prints.
Yoshiiku’s early career focused on popular ukiyo-e subjects such as kabuki actors (yakusha-e), beautiful women (bijin-ga), and warriors (musha-e). Influenced by Kuniyoshi’s style and wit, he later turned toward satirical and humorous imagery, eventually becoming the leading artist in that genre following his master’s death in 1861. During the Meiji period, he expanded his work into journalism, illustrating the Tokyo Nichi Nichi Shimbun before co-founding the illustrated newspaper Tokyo E-iri Shinbun.
After the newspaper folded in 1889, Yoshiiku returned to printmaking, though his later years were marked by financial difficulty. His final known print appeared in 1903, one year before his death at age seventy-one. Despite training several students, none achieved lasting recognition. Today, Yoshiiku is remembered for his dynamic prints, historical satire, and his collaboration with Tsukioka Yoshitoshi on the infamous muzan-e series, which remains one of the most striking expressions of late Edo and early Meiji ukiyo-e.
Collector Reviews
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It's a great looking piece which I am very happy and excited to add to my small collection! I really appreciate it.
I enjoy your YouTube videos and I look forward to picking up more prints from you in the future.
Rick
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Dear Mr. Richard, opening the package and seeing the incredible bright colours and ornamental abundance of Yoshitoshi's diptych, it was just as printed today! It will be a pleasure to get more of your fine selected prints.
L. F.
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Josh and I just opened the package and want to thank you for this amazing Hiroshige print. The condition is better than we expected. Lovely to look at, will bring the family great joy. Happy New Year and thank you again.
J.
Guaranteed Authentic
All our original woodblock prints are guaranteed authentic as described and shown. Unlike some print resellers, we don't make any Photoshop enhancements or add filters to our print images. Please check the print images front and back carefully before purchase, if you'd like additional pictures feel free to contact us. If, after purchase, you're not satisfied for any reason, return your print for a full refund within 30 days.